Words
(Texts, both printed and handwritten)
| ID | Thing | Inscription Text | Characteristics | Functions | Role Mentions |
|---|---|---|---|---|---|
| [223] | Workshop of Matthäus Merian the Elder (printmaker), Tab. XIII (Taurus Castratus Bos Verschnittener Ochs / Kuh und Kalb). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Taurus Castratus Bos. | Verschnittener Ochs. | italics | caption or identification of motif | |
| [3893] | Coat of Arms of Łukasz Kościelecki as Bishop of Poznań (Nering) | L[ucas] K(ościelecki) E(piscopus) P(osnaniensis) | majuscule, monogram | signature or reference to actor | actor's place of origin or activity, represented person |
| [4251] | Border with Adam and Eve (Gymnich) | ADA(m) | majuscule | caption or identification of motif | |
| [222] | Workshop of Matthäus Merian the Elder (printmaker), Tab. XIIII (Bos domesticus). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Bos domesticus. | italics | caption or identification of motif | |
| [219] | Workshop of Matthäus Merian the Elder (printmaker), Tab. I (Equus). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Equus. Pfred. | italics | caption or identification of motif | |
| [218] | Workshop of Matthäus Merian the Elder (printmaker), Tab. II (Equus Frisicus Frisisch Pferd, Equus Pannonicus sive Hungaric(us) Hungarisches Pferd). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Equus Frisicus. Frisisch Pferd. | italics | caption or identification of motif | |
| [217] | Workshop of Matthäus Merian the Elder (printmaker), Tab. IIII (Equus, Cantherius). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Equus. Pferd. | italics | caption or identification of motif | |
| [216] | Workshop of Matthäus Merian the Elder (printmaker), Tab. XII (Onager, Lupus Marinus, Capra Sylvestris). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Onager. Wald Esel. | italics | caption or identification of motif | |
| [215] | Workshop of Matthäus Merian the Elder (printmaker), Tab. IX (Elephas). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Elephas | caption or identification of motif | ||
| [214] | Workshop of Matthäus Merian the Elder (printmaker), Tab. V (Zebra Indica, Equus Indicus, Equus Hirsutus). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Zebra Indica | Indianisch Maulthier. | italics | caption or identification of motif | |
| [213] | Workshop of Matthäus Merian the Elder (printmaker), Tab. VI (Asinus,/ Asinus, Mulus). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Asinus. Esel. | italics | caption or identification of motif | |
| [205] | Tomasz Treter (designer), Giovanni Battista de' Cavalieri (printmaker), Allegory of the sign of the cross | 1 S[anctae] TRINITATIS VNITA OPERATIO, 2 FRONS CAPITIS 3 VMBI/LICVS 4 [Gratia?] 5 CONVERSATIO IN TERRIS / Prud[entia] Iust[itia] Temp[erantia] Fort[itudo] 6 S[anctae] CRVCIS VSVS TRIPLEX IN ECCLESIA [Fides] [Caritas] [Spes] SINISTRVM BRACCHIVM 7 Passio 8 Descensus ad inferos 9 Porta Coeli DEXTRVM BRACCHIVM 10 Ascensio, Resurrectio 11 VITA AETERNA 12 [Ecclesia] 13 CRVCIS VSVS TRIPLEX IN ECCLESIA 14 SYMBOLVM REDEMPTIONIS NOSTRAE 15 Conse/crationis in/strumentum 16 DEPVLSIO DIABOLI ET TENTATIONVM 17 VMBRAE LEGIS SIGNVM CRVCIS PRAEFIGVRANTES 18 GEN[esis] XLVIII [Jacob blessing Joseph's sons] 19 EXODI XII [doorframes marked with cross sign] 20 NVMERI XXI [the bronze snake] 21 EZECH[iel] IX [angel putting a mark on the foreheads of those who grieve] | majuscule, minuscule | numbering, commentary or explanation, reference mark, caption or identification of motif | |
| [4239] | Johannes Wierix (printmaker), St Antony Abbot | Æ(tatis) 14 | majuscule, arabic numeral | indication of actor's age | |
| [170] | Giacomo Lauro (print publisher), Aquila SS. Patronorum regni Poloniae | Romae Iacobus Laurus scul(psit) | italics | signature or reference to actor, address or reference to place | place of production |
| [194] | Antonio Tempesta (designer), Giacomo Lauro (print publisher), Crucifixion surrounded by scenes of martyrdoms of the apostles and evangelists (state I/II) | Cum priuilegio Summi Pontificis | italics | privilege | |
| [196] | Maarten de Vos (designer), Jan (I) Sadeler (printmaker), Annunciation to Mary | CAM GRAT ET PRIVIL S CAES M | majuscule | privilege | |
| [189] | Giacomo Lauro (print publisher), Blessed Salomea's vision of Mary and Child, surrounded by twelve scenes from her life and miracles (Lauro) | Iacobus Laurus Romanus F. | italics | signature or reference to actor | actor's place of origin or activity, printmaker |
| [172] | Giacomo Lauro (printmaker), Communion of St Stanislaus Kostka and scenes from his life III (Lauro) | Cum licentia Superiorum | italics | imprimatur | |
| [183] | Giacomo Lauro (print publisher), Blessed Ceslaus surrounded by scenes from his life | BEATVS CESLAVS POLONVS S. DOMINICI DISCIPVLVS SOCIVS S. HYACINTHI | commentary or explanation, title, caption or identification of motif | represented person | |
| [169] | Moscovia quae et Alba Russia non contenta Europae et Sarmatiae parte... (six copperplates) | [Solotaja Baba] hoc est aurea vetula idolum quod hujus partis incolae adorant | cyrillic script, italics | commentary or explanation, caption or identification of motif |