| [161] | Giacomo Lauro (print publisher), Blessed Salomea's vision of Mary and Child, surrounded by twelve scenes from her life and miracles (Lauro) | Cum Priuilegio Summi Pontificis | italics | privilege | |
| [151] | Giacomo Lauro (print publisher), Blessed Ceslaus surrounded by scenes from his life | Cum Priuilegio Summi Pontificis | | privilege | |
| [143] | Transfiguration of Christ (Richolff; Balhorn; Dietz) | HIC EST FILIVS MEVS DILECTVS HVNC AVDITE
DOMINE, / BONVM EST / HIC NOS ESSE / MAT. 17. / 1548 | arabic numeral | date | |
| [139] | Joab Killing Amasa (Szarfenberg; Siebeneicher) (Cracow, Muzeum Uniwersytetu Jagiellońskiego Collegium Maius). Part of Subset of biblical scenes (Szarfenberg; Siebeneicher). Part of Set of illustrations for Bielski's Chronicle 1554, most in double frames (Szarfenberg; Siebeneicher; Lob; Giermański) | 1552 | arabic numeral | date | |
| [138] | Georg Pencz (printmaker), Portrait of John Frederick I, elector of Saxony | G(eorg) P(encz) 15|34 | majuscule, arabic numeral, interlaced, monogram | signature or reference to actor, date | |
| [137] | Michael Ostendorfer (printmaker attr.), Georg von Leuchtenberg (Guldenmund; Daubmann) | MO | 1545 | majuscule, arabic numeral, interlaced, monogram | signature or reference to actor, date | |
| [135] | Monogrammist HG (blockcutter), Portrait of Johannes Draconites (Kolbe; Richolff; Dietz; Daubmann) | IO || DRA | majuscule | title | |
| [134] | Giacomo Lauro (print publisher), Assumption of Mary surrounded by fourteen scenes of martyrdoms of the holy virgins | Cum Priuilegio Summi Pontificis Romae 1606 | | privilege, address or reference to place, date | place of production |
| [103] | Giacomo Lauro (print publisher), Adoration of the Shepherds (state II/II) (Lauro) | Tadeus Zuccarus Vrbin Inuentor | italics | signature or reference to actor | designer |
| [147] | Communion of St Stanislaus Kostka and scenes from his life. Part of Icones et miracula sanctorum Poloniae (Overadt) | Deiparae monitu Societatem Iesu ingreditur | italics | caption or identification of motif | |
| [3909] | Tobias Bidenharter (printmaker), Title page of Zywot s. Kunegundy | W Krakowie V Franciska Cesarij | Roku MDC XVII | roman numeral, italics | signature or reference to actor, address or reference to place, date | place of production, printer |
| [95] | Giacomo Lauro (print publisher), Aquila SS. Patronorum regni Poloniae | Cum privilegio | summi Pontificis | ac Superiorum | permissu 1604. | italics | imprimatur , privilege, date | |
| [92] | Tomasz Treter (designer), Tomasz Treter (printmaker attr.), Sacerdos Christianus | St[atiu]s F[ormis]s / Cum privilegio | minuscule | signature or reference to actor, privilege | owner of the printing plate |
| [116] | Raising of Lazarus (Szarfenberg; Szarfenberger; Schedel). Part of Set of Gospel scenes (Szarfenberg) | 1533 | arabic numeral | date | |
| [109] | Maarten de Vos (designer), Jan (I) Sadeler (printmaker), Annunciation to Mary | 1579 | arabic numeral | date | |
| [106] | Giacomo Lauro (printmaker), Map of Moscow (Lauro). Part of Set for Heroico Splendore Delle Città Del Mondo (Lauro) | I(acobus) Laurus f(ecit) 1628 | arabic numeral, italics | signature or reference to actor, date | printmaker |
| [126] | St Ursula (Szarfenberg 1532). Part of Set of gospel and hagiographic scenes ca 70 x 50 mm (Szarfenberg; Wietor ca 1532) | 1532 | arabic numeral | date | |
| [121] | St Stephen (Szarfenberg; Januszowski). Part of Set of gospel and hagiographic scenes ca 70 x 50 mm (Szarfenberg; Wietor ca 1532) | 1532 | arabic numeral | date | |
| [119] | St George (Szarfenberg 1532). Part of Set of gospel and hagiographic scenes ca 70 x 50 mm (Szarfenberg; Wietor ca 1532) | 1532 | arabic numeral | date | |
| [124] | St Bridget's Vision of the Man of Sorrows (Szarfenberg 1532). Part of Set of gospel and hagiographic scenes ca 70 x 50 mm (Szarfenberg; Wietor ca 1532) | 1532 | arabic numeral | date | |
