Words
(Texts, both printed and handwritten)
ID | Thing | Inscription Text | Characteristics | Functions | Role Mentions |
---|---|---|---|---|---|
[4720] | Terminus (reverse). Part of Bronze medal with portrait of Erasmus of Rotterdam and Terminus (London, BM) ◼ | TERMI | NVS | majuscule | caption or identification of motif | |
[4717] | Battle of Wiśniowiec (not preserved) | Victoria a viginti millibus Tartarorum, die sancti Vitalis, cuius imago haec est, anno 1512. Parta mandata et impensa magnifici domini, domini Christopheri a Sidlowiecz castellani sendomiriensis, regni Poloniae vicecancellarii, siradiensis, gostiniensis etc. capitanei | arabic numeral | signature or reference to actor, commentary or explanation, date, caption or identification of motif | commissioner |
[4716] | Albrecht Dürer (printmaker), Landscape with the Cannon | 1518 AD | majuscule, arabic numeral, interlaced, monogram | signature or reference to actor, date | |
[4715] | Heinrich Holtzmüller (Monogrammist HHF) (printmaker), Two Cervidae (Petri). Part of Set for Münster's Cosmography 1550 (Petri) | HHF | majuscule, interlaced, monogram | signature or reference to actor | |
[4399] | Tomasz Treter (state II/II) | W PAMIEC ZNAKOMITYCH TALENTOW | TOMASZA TRETERA POZNANCZYKA DDD | majuscule | caption or identification of motif, identification of model | actor's place of origin or activity |
[4400] | Tomasz Treter (state II/II) | IOZ OLESZKIEWICZOWI I ALE ORŁOWSKIEMU ZIOMKOM PRZYNOSZĄCYM ZASZCZYT KRAIOWI | TALENTAMI SWEMI W PETERSBURGU 1827 R. | majuscule, arabic numeral | signature or reference to actor, address or reference to place, date | |
[4402] | Tomasz Treter (state II/II) | THOMAS TRETER ... MAIN | majuscule | commentary or explanation, caption or identification of motif | represented person |
[4714] | David Kandel (printmaker), Ibex and Chamois (Petri). Part of Set for Münster's Cosmography 1550 (Petri) | DK | majuscule, interlaced, monogram | signature or reference to actor | |
[4712] | David Kandel (printmaker), Shepherds Under a Beech Tree (Rihel). Part of Set for Bock's Kreuterbuch (Rihel) | dK | majuscule, minuscule, monogram | signature or reference to actor | |
[4713] | David Kandel (printmaker), Alder (Rihel). Part of Set for Bock's Kreuterbuch (Rihel) | dK | majuscule, minuscule, monogram | signature or reference to actor | |
[4711] | David Kandel (printmaker), Linden (Rihel). Part of Set for Bock's Kreuterbuch (Rihel) | D K | majuscule, monogram | signature or reference to actor | |
[4710] | Map of the Polish-Lithuanian Commonwealth (Poloniae finitimarumque locorum descriptio) | POLONIAE finitimarumque | locorum descrip|tio Auctore | WENCESLAO GODRECCIO | Polono | majuscule, italics | signature or reference to actor, commentary or explanation, title, caption or identification of motif | designer |
[4709] | David Kandel (printmaker), Thisbe Discovering the Dying Pyramus Under a Mulberry Tree (Rihel). Part of Set for Bock's Kreuterbuch (Rihel) | DK | majuscule, monogram | signature or reference to actor | |
[4707] | Coat of Arms of Jan Ponętowski (Szarfenberger) | I P | majuscule, monogram | signature or reference to actor | represented person |
[4708] | Coat of Arms of Jan Ponętowski (Szarfenberger) | VIRTVS NOBILITAT HOMINEM AN 1568 | majuscule, arabic numeral | motto, date | |
[4706] | David Kandel (printmaker), Agarikon (Rihel). Part of Set for Bock's Kreuterbuch (Rihel) | DK | majuscule, monogram | signature or reference to actor | |
[4704] | Two-Headed Luther (Schumann) | PALINODVS LVTHERVS | majuscule | title, caption or identification of motif | represented person |
[4705] | Two-Headed Luther (Schumann) | MARTI: LV|THER BIC|EPS | majuscule | caption or identification of motif | represented person |
[4703] | Saiga antelope (state II/II) (Rome, ICG). Part of Set of Nova raccolta de li Animali piu curiosi del Mondo ◼ | Culon. | italics | caption or identification of motif | |
[4702] | Saiga antelope (state II/II) (Rome, ICG). Part of Set of Nova raccolta de li Animali piu curiosi del Mondo ◼ | Culone. | italics | caption or identification of motif |