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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T13864

Five Horses (II)

Part of Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes (Hoeswinckel) ⛁

Details
  • printing: matrix
  • metal: copper
  • set or complex object: piece
  • tool
Impressions
  • Marcus (I) Gheeraerts (designer attr.), Five Horses (II). In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum), [3] ◼
Previous states
Following states
Complex object
  • Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes (Hoeswinckel) ⛁
In-Urus parts
Actors
  • Marcus (I) Gheeraerts (ca 1520 - ca 1590) designer attr.
Places
Design

Marcus (I) Gheeraerts (designer attr.), Five Horses (II). Part of Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes (Hoeswinckel)

In-Urus interactions
  • ⇥ Tomasz Makowski (printmaker), Bit and horse in landscape XIII (Stacja otworzysta z kotczą nogą z kółkami na wierzchu małemi a wewnątrz ze dwiema gałkami ku śrzodkowi) (Piotrkowczyk; Rossowski). Part of Makowski's illustrations for Hippica (Piotrkowczyk; Rossowski)
Expert view
Thing liknesses
    Inscriptions, Markings and Mentions
    Thing mention
    References
    Graphic catalogue entry
    • Hollstein collection: Dutch 11-32
    Web resources
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    Comments
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    Credits
    Created on
    • 2021-10-13 13:40

    Edited by
    • Grażyna Jurkowlaniec

    Last update by
    • Grażyna Jurkowlaniec (2025-04-17 18:23)

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    Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
    Last update November 30, 2025

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