matrix:T13294

Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)

Things – T13294

Man as God's Puppet on a String (Pinder; Peypus)

Details

Impressions

Hans Schäufelein (printmaker), Man as God's Puppet on a String. In Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. cclxxxv ◼
Hans Schäufelein (printmaker), Man as God's Puppet on a String. In Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. cvv ◼
Hans Schäufelein (printmaker), Man as God's Puppet on a String. In Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 1], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. CLXVIr ◼
Hans Schäufelein (printmaker), Man as God's Puppet on a String. In Ulrich Pinder, Speculum passionis domini nostri Ihesu christi ..., Nuremberg: Friedrich Peypus (printer), 1507 (Munich, BSB), fol. XIII ◼
Hans Schäufelein (printmaker), Man as God's Puppet on a String. In Die walfart der pilgerin auff steigent in die heilige stat der hymmelischen Hierusalem, Nuremberg: Friedrich Peypus (printer), 1514 (Munich, BSB), fol. B3r ◼

Actors

Hans Schäufelein (ca 1480 - 11 November 1539/13 September 1540) printmaker : 1 January 1503 - 9 October 1505

Places

Nuremberg production place : 1 January 1503 - 9 October 1505

Design

Hans Schäufelein (printmaker), Man as God's Puppet on a String (Pinder; Peypus) ◼

Expert view

References

Graphic catalogue entries

Hollstein German: XLIII.463
TIB: 11.34-33(253)

Credits

Created on

2021-10-13 13:40

Edited by

Grażyna Jurkowlaniec

Last update by

Grażyna Jurkowlaniec (2023-11-28 21:11)