Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
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Things
– T13286
Adoration of the Crucified Christ (Pinder; Peypus; Guldenmund)
Details
printing: matrix
wood
set or complex object: piece
tool
Impressions
Adoration of the Crucified Christ
.
In
Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. ccxxxvv
◼
Adoration of the Crucified Christ
.
In
Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. cclxxiiiv
◼
Adoration of the Crucified Christ
.
In
Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. cclxviv
◼
Adoration of the Crucified Christ
.
In
Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. cv
◼
Adoration of the Crucified Christ
.
In
Ulrich Pinder, Der beschlossen gart des rosenkra[n]tz marie [vol. 2], Nuremberg: Ulrich Pinder (printer), 1505 (Munich, BSB), fol. cv
◼
Adoration of the Crucified Christ
.
In
Ulrich Pinder, Speculum passionis domini nostri Ihesu christi ..., Nuremberg: Friedrich Peypus (printer), 1507 (Munich, BSB), fol. IX
◼
Adoration of the Crucified Christ
.
In
Adam Reissner, Ein schoen New Geystlich lied, zu singen in des Bernes weyß, Oder in Hertzog Ernst weyse, Nuremberg: Hans Guldenmund (printer), 1540 (Berlin, SBB), fol. A1r
◼
Previous states
Following states
Complex object
In-Urus parts
Actors
Places
Nuremberg
production place : 1 January 1503 - 9 October 1505
In-Urus interactions
Thing liknesses
Inscriptions, Markings and Mentions
Thing mention
References
Graphic catalogue entry
Web resources
Bibliography
Comments
State of art
Credits
Created on
2021-10-13 13:40
Edited by
Grażyna Jurkowlaniec
Last update by
Grażyna Jurkowlaniec (2023-11-28 21:11)
