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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T13047

Ecce homo (Daubmann 1550)

Part of Set of gospel scenes ca 105/110 x 140 mm (Daubmann 1550-1574) ⛁

Details
  • printing: matrix
  • set or complex object: piece
  • tool
Impressions
  • Ecce homo. In Johann Spangenberg, Postilla Teutsch: Auszlegung der Episteln vnnd Euangelien, auff alle Sontag vnnd die Fürnembsten Feste durch das gantze Jar ..., Nuremberg: Hans Daubmann (printer), 1550 (Augsburg, SSB), fol. 123v ◼
  • Ecce Homo. In Johannes Brenz, Passio unsers Herren Jesu Christi, Nuremberg: Hans Daubmann (printer), 29 May 1551 (Munich, BSB), fol. CXXVIIIv ◼
  • Ecce Homo. In Johannes Brenz, Passio unsers Herren Jesu Christi, Nuremberg: Hans Daubmann (printer), 29 May 1551 (Munich, BSB), fol. CXXXVIII ◼
Previous states
Following states
Complex object
  • Set of gospel scenes ca 105/110 x 140 mm (Daubmann 1550-1574) ⛁
In-Urus parts
Actors
Places
  • Nuremberg production place : 1550
Design

Ecce homo (Daubmann 1550). Part of Set of gospel scenes ca 105/110 x 140 mm (Daubmann 1550-1574)

In-Urus interactions
  • ⇤ Hans Brosamer (printmaker), Ecce homo. Part of Brosamer's set of New Testament scenes (Gülfferich)
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    Created on
    • 2021-10-13 13:40

    Edited by
    • Grażyna Jurkowlaniec

    Last update by
    • Grażyna Jurkowlaniec (2023-11-28 21:11)

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    Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
    Last update November 30, 2025

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