Words
(Texts, both printed and handwritten)
| ID | Thing | Inscription Text | Characteristics | Functions | Role Mentions |
|---|---|---|---|---|---|
| [1888] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | ΑΒΓΔΕΖ | ΗΘΙΚΛ | Μ | greek alphabet | ||
| [1887] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | אבכרן ךהטז כלעךס טפצק דשה | hebrew alphabet | ||
| [1886] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | In refugum affurgit moles, Babylonia coelum, | Nequiequam. Sed enim mutato nomine de te. || Depictam crede historiam, qui futilis audes | Vesanam supra vires attollere mentem | italics | commentary or explanation | |
| [1885] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | CONFVSIO BABVLONICA | majuscule | title | |
| [347] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | Cornelis Dankertz excudit | italics | signature or reference to actor | print publisher |
| [332] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | D(e) Gheyn excudit | italics, interlaced | signature or reference to actor | print publisher |
| [321] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Confusion of tongues (Confusio Babulonica) | K(arel) V(an) Mandere inven(it), Za(charias) Dolen(do) scu(lpsit) | arabic numeral, interlaced | signature or reference to actor | designer, printmaker |