[1581] | David and Abishai Invading Saul's Encampment (Szarfenbeg; Siebeneicher). Part of Subset of biblical scenes (Szarfenberg; Siebeneicher). Part of Set of illustrations for Bielski's Chronicle 1554, most in double frames (Szarfenberg; Siebeneicher; Lob; Giermański) | SAVL | majuscule | caption or identification of motif | |
[1580] | Monogrammist MS (printmaker), Samson's Hairlocks Cut Off by Delilah (Lufft; Severin) (Cracow, Muzeum Uniwersytetu Jagiellońskiego Collegium Maius). Part of Bible cycle (Lufft; Severin; Melantrich; Szarfenberger; Siebeneicher; Drukarnia Akademicka; Schedel) | 1532 | arabic numeral | date | |
[4475] | Elk (with one antler) (state I/II) (Alces). Part of Set of Nova raccolta de li Animali piu curiosi del Mondo ◼ | Alces Alce | italics | caption or identification of motif | |
[4430] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | SIMPLICITER | majuscule | | |
[4429] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | LIBENTER | majuscule | | |
[1524] | Blessed Salomea's vision of Mary and Child, surrounded by twelve scenes from her life and miracles. Part of Icones et miracula sanctorum Poloniae (Overadt) | VIDVA ET VIRGO | majuscule | caption or identification of motif | |
[1519] | Blessed Salomea's vision of Mary and Child, surrounded by twelve scenes from her life and miracles. Part of Icones et miracula sanctorum Poloniae (Overadt) | Eius animam specie sple(n)de | (n)tis stellae (et) corpore exeuntem | tres (con)spieiu(n)t | italics | commentary or explanation | |
[4474] | Elk (antlered) (Amsterdam, Rijksmuseum) ◼ | 103 | arabic numeral, handwritting | numbering | |
[4428] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | HVMILITER | majuscule | | |
[4427] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | PERSEVERANTER | majuscule | | |
[4426] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | FORTITER | majuscule | | |
[4425] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | OBEDIENTIA | majuscule | | |
[1456] | Michael Ostendorfer (printmaker), Hans Daubmann (print publisher), Wolfgang, Count Palatine of Zweibrücken (London, BM) ◼ | Wolffgang von Gottes gnaden Pfaltzgraff / Bey Rhein vnd Hertzog in Bayrn | blackletter, letterpress | caption or identification of motif | |
[4473] | Elk (antlered) (state II/II) (Alces) (Rome, ICG). Part of Set of Nova raccolta de li Animali piu curiosi del Mondo ◼ | 100 | arabic numeral | numbering | |
[4424] | Tomasz Makowski (printmaker), Allegory of Obedience. Part of Illustrations for De Sanctis Angelis Libellus | Vade et vide si cuncta prospera sint [erga] | fratres tuos; R. Presto sum. Gen. [37] | | | |
[171] | Lucas Kilian (printmaker), Pietà | MICHAEL: ANG. B. pinxit Romae | italics | signature or reference to actor, address or reference to place, identification of model | designer, place of production of original design |
[4324] | Lucas Kilian (printmaker attr.), Map of Moscow | Intima pars urbis dicta Kitaigorod. | | | |
[4472] | Elk (antlered) (state II/II) (Alces) (Rome, ICG). Part of Set of Nova raccolta de li Animali piu curiosi del Mondo ◼ | Alce Alces | italics | caption or identification of motif | |
[4423] | Łodzia coat of arms (Andrysowicz) | P | O | majuscule, monogram | signature or reference to actor | |
[2849] | Communion of St Stanislaus Kostka and scenes from his life (state II/II) (de Rossi) | M. Paronus Polonus sculp. An. 1692 | | signature or reference to actor, date | printmaker |