| [1498] | Bartolommeo Mazza (printmaker), Practice of the visual arts (Bertelli) | Luca Bertelli For(mis) | italics | signature or reference to actor | owner of the printing plate |
| [1506] | Crispin (I) de Passe (designer), Crispin (I) de Passe (printmaker), Archangel Zadkiel. Part of Set of seven archangels | DOMINATIONES ZADKIEL Parce tuo nato Patriarcha Probate Redemtor / Mundi nam pendens in cruce tollit onus | majuscule, italics | caption or identification of motif | |
| [1579] | Monogrammist MS (printmaker), Samson's Hairlocks Cut Off by Delilah (Lufft; Severin) (Cracow, Muzeum Uniwersytetu Jagiellońskiego Collegium Maius). Part of Bible cycle (Lufft; Severin; Melantrich; Szarfenberger; Siebeneicher; Drukarnia Akademicka; Schedel) | MS | majuscule, monogram | signature or reference to actor | |
| [1518] | Blessed Salomea's vision of Mary and Child, surrounded by twelve scenes from her life and miracles. Part of Icones et miracula sanctorum Poloniae (Overadt) | Aegra decionbens Beatae Virginis aspectu mirifice recreatur. | italics | commentary or explanation | |
| [1517] | Jörg Brückner (Monogrammist IB) (blockcutter), Sigismund II Augustus of Poland in a heraldic border. In Marcin Bielski, Kronika tho iesth Historya swiata na sześć wiekow a cztery monarchie rozdzielona ..., Cracow: Mateusz Siebeneicher (printer), 1564 (Wrocław, Oss.), fol. [421r] ◼ | SIGISMUNDVS AVGVSTVS DEI GRATIA REX / polonie, Magnus Dux Lithuanie, Rußie, Prußie, Pomeranie, Samogitie ac Masouie (et) c(aetera). Dominus (et) Heres. Anno / Domini .1562. AEtatis XXXIII. | majuscule, italics, letterpress | caption or identification of motif, date | represented person |
| [1513] | Jörg Brückner (Monogrammist IB) (blockcutter), Sigismund I of Poland in a Heraldic Border. In Marcin Bielski, Kronika tho iesth Historya swiata na sześć wiekow a cztery monarchie rozdzielona ..., Cracow: Mateusz Siebeneicher (printer), 1564 (Cracow, MNK, BCzart), fol. 404v ◼ | SIGISMVNDVS I, REX POLONIAE, MAGNVS DUX / LITVANIE, RVSSIAE, PRVSSIAE, MASOVIAE SA/MOGITIAE, (et) c(aetera). DOMINVS ET HAERES. / Anno aetatis sue LXXXI | majuscule, italics, letterpress | caption or identification of motif | |
| [1511] | Crispin (I) de Passe (designer), Crispin (I) de Passe (printmaker), Archangel Zadkiel. Part of Set of seven archangels | 5 | arabic numeral | numbering | |
| [1509] | Crispin (I) de Passe (designer), Crispin (I) de Passe (printmaker), Archangel Chamuel. Part of Set of seven archangels | PRINCIPATUS CHAMAEL / Nos Israel luctans superat Consolor in horto / Luctantem morti, poculo quando timet / | majuscule, italics | caption or identification of motif | |
| [1508] | Crispin (I) de Passe (designer), Crispin (I) de Passe (printmaker), Archangel Jophiel. Part of Set of seven archangels | CHERUBIM IOPHIEL / Vindicibus gladiis expellimus omne pro fanam / venditor ex templo qu(a)m et Adam fuge | majuscule, italics | caption or identification of motif | |
| [1504] | Noah's Ark (Trechsel; Frellon). Part of Set of Old Testament Scenes (Trechsel; Frellon) | ARCHA NOI | majuscule | caption or identification of motif | |
| [1499] | Bartolommeo Mazza (printmaker), Practice of the visual arts (Bertelli) | Bartolomeus Mazza fe(cit) | italics | signature or reference to actor | printmaker |
| [1496] | Maarten de Vos (designer), Jan (I) Sadeler (printmaker), Adoration of the Christ-child | Maria peperit filium suum (...) non erat ei locus in diuersorio. Luc: II | italics | commentary or explanation, citation | |
| [1495] | Maarten de Vos (designer), Jan (I) Sadeler (printmaker), Adoration of the Christ-child | MDLXXXII | roman numeral | date | |
| [1494] | Virgil Solis (printmaker), Ahimelech Giving the Sword of Goliath to David (Feyerabend). Part of Solis's set for Frankfurt Bibles (Feyerabend) | 1559 | [shapes], arabic numeral | date | |
| [1493] | Hans (II) Bocksberger (designer), Jost Amman (printmaker?), Temple of Solomon (Feyerabend). Part of Set of Bocksberger's and Amman's scenes for Frankfurt Bibles (Feyerabend) | Na kompozycji oznaczenia literowe a-g. | italics | | |
| [1492] | Maarten de Vos (designer), Antonius (II) Wierix (printmaker), Christ Giving Fish and Bread to the Apostles after the Resurrection in a florar border with animals. Part of Set of Passion Scenes (Vos; Wierix; Hoeswinckel) | 21 | arabic numeral | numbering | |
| [1490] | Twelve Tribes of Israel (Szarfenberg; Siebeneicher) (Cracow, Muzeum Uniwersytetu Jagiellońskiego Collegium Maius). Part of Subset of biblical scenes (Szarfenberg; Siebeneicher). Part of Set of illustrations for Bielski's Chronicle 1554, most in double frames (Szarfenberg; Siebeneicher; Lob; Giermański) | OCCIDE(N)S | AQVILO | ORIENS | MERIDIES | majuscule, [shapes], latin or roman script | caption or identification of motif | |
| [1489] | Diego Valadés (printmaker attr.), Allegory of the sign of the cross | TRINITATIS VNITA OPERATIO, FRONS CAPITIS VMBI/LICVS Conuersatio interris S[anctae] Crucis usus triplex in ecl[a]esia SINISTRVM BRACCHIVM Passio Descensus ad inferos Porta Coeli DEXTRVM BRACCHIVM Ascensio, Resurrectio Conse/crationis in/strumentum Vmbrae legis signum crucis praefigurantes. | majuscule, minuscule | caption or identification of motif, commentary or explanation | |
| [1488] | Diego Valadés (printmaker attr.), Allegory of the sign of the cross | Chr(ist)us nos redemit de / maledicto legis factus pro / nobis maledictum ut in / gentibus benedictio fi/eret etc. GAL III | minuscule | commentary or explanation, citation | |
| [1487] | Diego Valadés (printmaker attr.), Allegory of the sign of the cross | Venite benedicti Patris / mei possidete paratum / uobis regnum a consti/tutione mundi Ma. 25. | minuscule | commentary or explanation, citation | |
