Things (Material, inanimate objects, mostly works of art, both preserved and unpreserved)
ID Thing Type Category Technique Materials Function Image Width Height Depth Date description Date from Date to
[T24377]Os nudum cum cornu capitis bonasi. Part of Tab. IV (Urus / Urus barbatus / Bison Iubatus / Uri Cornu / Bison Albus Scoticus / Taurus Butro vocatus / Caput et Cornu Bonasi / Os nudum Cum cornu capitis Bonasi / Duo ossa capitis Bonasi). In Ulisse Aldrovandi, Ulyssis Aldrovandi Patricii Bononiensis, Quadrupedum omnium bisulcorum Historia ..., Frankfurt am Main: Caspar Rotelius (printer), Johann David Zunner (publisher), 1647 (Regensburg, Staatliche Bibliothek), p. 144 ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T7184]Johann Melchior Füssli (designer), Philipp Gottfried Harder (printmaker), Onager, Wald-Esel. In Johann Jacob Scheuchzer, Kupfer-Bibel, In welcher Die Physica Sacra ..., Augsburg, Ulm: Christian Ulrich Wagner (printer), Johann Andreas Pfeffel (publisher), 1731 - 1735 (Zürich, ETH-Bibliothek), Tab. DXII ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T43288]Baboon, Bubalus, Lion, Ichneumon, Rehe and Guinea Pig. In Peter Kolb, Caput Bonae Spei hodiernum, das ist: vollständige Beschreibung des africanischen Vorgebürges der Guten Hofnung, Nuremberg: 1719 (Regensburg, Staatliche Bibliothek), Tab. V ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T37138]Philips Galle (printmaker), Altarpiece with Stradanus's Crucifixion in Santissima Annunziata in Florence (Warsaw, BUW, Gab.Ryc.) ◼printing: impressionengravingpaper320458
[T16841]Theodoor Galle (print publisher), Altarpiece with Stradanus's Crucifixion in Santissima Annunziata in Florence (Wellington, Museum of New Zealand) ◼printing: impressionsingle pieceengraving, etchingpaper
[T17363]Reliquiary of Saints Fidelis and Favronius (Cracow, parish church of the Assumption of Virgin Mary)craftssingle pieceengraving, gilding, embossingreliquiary or part of1515 ‑ 15251515‑01‑011525‑12‑31
[T64051]Marcus (I) Gheeraerts (designer), The donkey and the horse. In De Vvarachtighe Fabulen Der Dieren, Bruges: Pieter de Clerck (printer), 1567 (Vienna, ÖNB), p. 87 ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T64050]De Vvarachtighe Fabulen Der Dieren, Bruges: Pieter de Clerck (printer), 1567 (Vienna, ÖNB)printing: early printed bookset or complex object: bound volume: codexengraving, black letterpresspaper
[T64044]Marcus (II) Gheeraerts (designer?), Marcus (I) Gheeraerts (designer attr.), Four Deer and an Elk. In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum) ◼printing: impressionpage: figureengravingpaper
[T64042]Marcus (I) Gheeraerts (designer attr.), Giraffe, Armadillo, Ram and Unicorn. In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum) ◼printing: impressionpage: figureengravingpaper
[T5655]Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum)set or complex object: bound volume: albumengravingpaper
[T64043]Various animals. In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum) ◼printing: impressionpage: figureengravingpaper
[T64041]Four Donkeys. In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum) ◼printing: impressionpage: figureengravingpaper
[T64040]Title Page - Man with several four-legged animals in a safety net. In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum) ◼printing: impressionpage: figureengravingpaperbook decoration: title page
[T5658]Marcus (I) Gheeraerts (designer attr.), Marcus (II) Gheeraerts (designer?), Five Horses (III). In Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes, Antwerp: Eduard van Hoeswinckel (printer), 1583 (Amsterdam, Rijksmuseum), [4] ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T5465]Ulisse Aldrovandi, Vlyssis Aldrovandi Patricii Bononiensis De Qvadrvpedibvs Solidipedibvs ..., Bologna: Vittorio Benacci (printer), Geronimo Tamburini (publisher), 1616 (Madrid, Universidad Complutense de Madrid)printing: early printed bookset or complex object: bound volume: codexengraving, woodcut, black letterpresspaper
[T63584]Mikołaj Krzysztof "the Orphan" Radziwiłł. In Peregrinacia Abo, Pielgrzymowanie Do Ziemie Swiętey ..., Andrzej Wargocki (translator), Cracow: Szymon Kempini (printer), 1607 (Warsaw, BUW, St.Dr.), fol. )( )( )( 2v ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T63576]Sanctuary of the Holy Cross and Cloister of the Benedictines on Łysa Góra. In Marcin Kwiatkiewicz, Krzyz Swięty Na Swietney gorze Swietokrzyskiey Łysiec Nazwaney, Cracow: Mikołaj Aleksander Schedel (printer), 1690 (Warsaw, BUW, St.Dr.) ◼printing: impressionpage: figureengravingpaperbook decoration: illustration
[T63573]Marcin Kwiatkiewicz, Krzyz Swięty Na Swietney gorze Swietokrzyskiey Łysiec Nazwaney, Cracow: Mikołaj Aleksander Schedel (printer), 1690 (Warsaw, BUW, St.Dr.)printing: early printed bookset or complex object: bound volume: codexengraving, woodcut, black letterpresspaper
[T63575]Reliquiary of the Holy Cross. In Marcin Kwiatkiewicz, Krzyz Swięty Na Swietney gorze Swietokrzyskiey Łysiec Nazwaney, Cracow: Mikołaj Aleksander Schedel (printer), 1690 (Warsaw, BUW, St.Dr.), fol. A1v ◼printing: impressionpage: figureengravingpaperbook decoration: illustration