Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things
(Material, inanimate objects, mostly works of art, both preserved and unpreserved)
Iconography: [Ico5403] Livia Orestilla and narrower iconographies
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architecture
architecture: occasional
crafts
drawing
manuscript
mixed media
naturalia
painting
painting: illumination
painting: mural painting
painting: panel painting
printing
printing: block book
printing: early printed book
printing: impression
printing: incunable
printing: matrix
printing: modern printed book
sculpture
sculpture: full sculpture
sculpture: relief
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extracted piece
inserted piece
page
page: figure
page: initial
page: marginalia and borders
set or complex object
set or complex object: bound volume
set or complex object: bound volume: album
set or complex object: bound volume: codex
set or complex object: bound volume: codex: covers or a part of
set or complex object: bound volume: pamphlet
set or complex object: graphic cycle
set or complex object: piece
set or complex object: poliptych
set or complex object: poliptych: central panel
set or complex object: poliptych: crowning
set or complex object: poliptych: predella
set or complex object: poliptych: wing or side panel
single piece
single piece: broadside
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aquatint
black chalk
black letterpress
casting
chiaroscuro woodcut
drypoint
embossing
engraving
etching
facsimile
fresco
gilding
gouache
hand colouring
handwriting
ink stains
litography
metalcut
monochrome colour printing
oil
pasting or inserting
pen
pencil
polychrome colour printing
polychromy
printing errors
red chalk
red letterpress
sculpting
silver plating
stencil colouring
tempera
tooling
unknown
washes
watercolour
white-line woodcut
woodcut
xylography
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bone
brick
cardboard
glass
leather
metal
metal: bronze
metal: copper
metal: gold
metal: silver
metal: steel
paper
paper: blue paper
paper: chamois paper
paper: grey paper
paper: red paper
parchment
parchment: vellum
stone
stone: alabaster
stone: limestone
stone: litographic limestone
stone: marble
stone: sandstone
textile
textile: canvas
textile: silk
unknown (probably paper)
wax
wood
wood: lime
wood: oak
wood: pear
wood: pine
wood: poplar
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album amicorum
altarpiece or part of
atlas
book binding or part of
book decoration
book decoration: colophon
book decoration: headpiece
book decoration: illustration
book decoration: tailpiece
book decoration: title page
bookplate (ex-libris)
coin
decoration of architecture
decoration of architecture: choir stalls
decoration of architecture: gallery
decoration of architecture: pulpit or part of
map
medal
memorial painting
playing card
preparatory model
proof
reliquiary or part of
sammelband
seal
supralibros
tombstone or part of
tool
wall calendar
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ID
Thing
Type
Category
Technique
Materials
Function
Image
Width
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Date description
Date from
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[T83484]
Livia Orestilla in an Architectural Border with Putti and Garland
.
In
Andrea Fulvio, Illustrium Imagines, Rome: Giacomo Mazzocchi (printer), 15 November 1517 (Munich, BSB), fol. XXXVIIv
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printing: impression
page: figure
white‑line woodcut
paper
book decoration: illustration
[T78797]
Livia Orestilla
.
In
La seconda parte del Prontuario de le medaglie la quale ha principio de la natiuita del nostro Saluatore, Lyon: Guillaume Rouillé (printer), 1553 (Paris, BnF), p. 13
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printing: impression
page: figure
woodcut
paper
book decoration: illustration
[T69627]
Livia Orestilla
.
In
Hans Sachs, Der Kaiser, Könige und anderer fürtrefflichen, beider Geschlecht, Personen, kurze Beschreibung und wahre Konterfeiung, Frankfurt am Main: Christian Egenolff (printer), March 1538 (Munich, BSB), fol. Giiv
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printing: impression
page: figure
woodcut
paper
book decoration: illustration
[T61901]
Livia Orestilla
.
In
Christian Egenolff, Chronica: Von an vnd abgang aller Weltwesen, Frankfurt am Main: Christian Egenolff (printer), 1534 (Munich, BSB), fol. LXXXIr
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printing: impression
page: figure
woodcut
paper
book decoration: illustration
