Things (Material, inanimate objects, mostly works of art, both preserved and unpreserved)
ID Thing Type Category Technique Materials Function Image Width Height Depth Date description Date from Date to
[T17492]Albrecht Dürer's workshop (printmaker), Parable of the Great Banquet. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 19-32) (Basel, Kunstmuseum Basel)printing: impressioninserted piecewoodcutpaper
[T17470]Albrecht Dürer's workshop (printmaker), Miraculous Draught of Fishes. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 10-18) (Basel, Kunstmuseum Basel)printing: impressioninserted piecewoodcutpaper
[T17508]Albrecht Dürer's workshop (printmaker), Incredulity of Thomas. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 33-41) (Basel, Kunstmuseum Basel)printing: impressioninserted piecewoodcutpaper
[T17471]Albrecht Dürer's workshop (printmaker), Healing of a Leper and a Servant of the Centurion of Capernaum. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 10-18) (Basel, Kunstmuseum Basel) ◼printing: impressioninserted piecewoodcutpaper
[T17503]Albrecht Dürer's workshop (printmaker), Christ's Discourse on the Last Things. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 33-41) (Basel, Kunstmuseum Basel)printing: impressioninserted piecewoodcutpaper
[T2393]Tomasz Treter (designer attr.), Giovanni Battista de' Cavalieri (printmaker), Typus Ecclesiae Catholicae. In Stanisław Reszka, De Atheismis Et Phalarismis Evangelicorum Libri duo ..., Naples: Antonio Pace (printer), Giovanni Giacomo Carlino (printer), January 1596 (Regensburg, UB), p. 602/603 (Regensburg, UB)printing: impressioninserted pieceengravingpaperbook decoration: illustration15951595‑01‑011595‑12‑31
[T2385]Tomasz Treter (designer attr.), Giovanni Battista de' Cavalieri (printmaker), Typus Ecclesiae Catholicae. In Stanisław Reszka, De Atheismis Et Phalarismis Evangelicorum Libri duo ..., Naples: Antonio Pace (printer), Giovanni Giacomo Carlino (printer), January 1596 (Genoa, Biblioteca Universitaria di Genova), p. 602/603 (Genoa, Biblioteca Universitaria di Genova)printing: impressioninserted pieceengravingpaperbook decoration: illustration15951595‑01‑011595‑12‑31
[T17477]Albrecht Dürer's workshop (printmaker), Parable of the Sower. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 10-18) (Basel, Kunstmuseum Basel)printing: impressioninserted piecewoodcutpaper
[T589]Springinklee the Elder (painter), Crucifixion with Mary, John and Angels Catching Christ's Blood in Chalices. In Baltazar Behem, Codex picturatus Balthasaris Behem, manuscript (Cracow, BJ), fol. 200ar ◼painting: illuminationinserted piecetemperaparchmentbook decoration: illustration1502 ‑ 15051502‑01‑011505‑12‑31
[T20674]Tomasz Treter (printmaker), Colloquia cum Maximiliano Bohe(morum) rege. In Tomasz Treter, Theatrum virtutum D. Stanislai Hosii, Tomasz Treter (autographer), manuscript (Frombork, Cathedral of the Assumption of the Blessed Virgin and St Andrew, Library), p. 99printing: impressioninserted pieceetchingpaperbook decoration: illustration
[T18475]Arx foelicitatis. In Jan Dymitr Solikowski, Stanislai Orechovi Apocalipsis, Cracow: 1626 (Warsaw, Biblioteka Publiczna m.st. Warszawy - Biblioteka Główna Województwa Mazowieckiego), fol. )(4v / A1r ◼printing: impressioninserted piecewoodcut, black letterpresspaperbook decoration: illustration
[T2389]Tomasz Treter (designer attr.), Giovanni Battista de' Cavalieri (printmaker), Typus Ecclesiae Catholicae. In Stanisław Reszka, De Atheismis Et Phalarismis Evangelicorum Libri duo ..., Naples: Antonio Pace (printer), Giovanni Giacomo Carlino (printer), January 1596 (Wolfenbüttel, HAB), p. 602/603printing: impressioninserted pieceengravingpaperbook decoration: illustration15951595‑01‑011595‑12‑31
[T20697]Tomasz Treter (printmaker), Comitia Lublinensia et Romanum iter. In Tomasz Treter, Theatrum virtutum D. Stanislai Hosii, Tomasz Treter (autographer), manuscript (Frombork, Cathedral of the Assumption of the Blessed Virgin and St Andrew, Library), p. 145printing: impressioninserted pieceetchingpaperbook decoration: illustration
[T17473]Albrecht Dürer's workshop (printmaker), Parable of the Mote and the Beam. Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 10-18) (Basel, Kunstmuseum Basel)printing: impressioninserted piecewoodcutpaper
[T5093]Title page of the Perfette regole et modi di cavalcare. In Lorenzino Palmieri, Perfette Regole, Et Modi Di Cavalcare ..., Venice: Barezzo Barezzi (printer), 1625 (Los Angeles, CA, Getty Research Institute)printing: impressioninserted pieceengravingpaperbook decoration: title page
[T39644]Martyrdom of St Mark. Part of Fol. 39 (D/I/14/39). Part of Album D/I/14 - Gravures en Bois; Piéces douteuses, etautres erronnément attribuées à Albert Durer (Vienna, Albertina) ◼printing: impressioninserted piecewoodcutpaper
[T20673]Tomasz Treter (printmaker), Tractatio negotior(um) cum caes(are). In Tomasz Treter, Theatrum virtutum D. Stanislai Hosii, Tomasz Treter (autographer), manuscript (Frombork, Cathedral of the Assumption of the Blessed Virgin and St Andrew, Library), p. 97printing: impressioninserted pieceetchingpaperbook decoration: illustration
[T20675]Tomasz Treter (printmaker), Fauserum haeret(icum) Vienna pelli curat. In Tomasz Treter, Theatrum virtutum D. Stanislai Hosii, Tomasz Treter (autographer), manuscript (Frombork, Cathedral of the Assumption of the Blessed Virgin and St Andrew, Library), p. 101printing: impressioninserted pieceetchingpaperbook decoration: illustration
[T20711]Tomasz Treter (printmaker), Sepulchrum. In Tomasz Treter, Theatrum virtutum D. Stanislai Hosii, Tomasz Treter (autographer), manuscript (Frombork, Cathedral of the Assumption of the Blessed Virgin and St Andrew, Library), p. 173printing: impressioninserted pieceetchingpaperbook decoration: illustration
[T46866]Martin Luther: Half-Length with a Book. Part of Fol. 18. Part of Album D/I/18 - Lucas Cranach II. Band (Vienna, Albertina) ◼printing: impressioninserted piecewoodcutpaper111147