Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things
(Material, inanimate objects, mostly works of art, both preserved and unpreserved)
Caption: [C353] Artemisia tenuifolia
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architecture
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printing: block book
printing: early printed book
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sculpture: full sculpture
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page: figure
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set or complex object: bound volume: album
set or complex object: bound volume: codex
set or complex object: bound volume: codex: covers or a part of
set or complex object: bound volume: pamphlet
set or complex object: graphic cycle
set or complex object: piece
set or complex object: poliptych
set or complex object: poliptych: central panel
set or complex object: poliptych: crowning
set or complex object: poliptych: predella
set or complex object: poliptych: wing or side panel
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aquatint
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etching
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bone
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paper: blue paper
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parchment: vellum
stone
stone: alabaster
stone: limestone
stone: litographic limestone
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textile: canvas
textile: silk
unknown (probably paper)
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album amicorum
altarpiece or part of
atlas
book binding or part of
book decoration
book decoration: end matter
book decoration: front matter
book decoration: headpiece
book decoration: illustration
book decoration: tailpiece
bookplate (ex-libris)
coin
decoration of architecture
decoration of architecture: choir stalls
decoration of architecture: gallery
decoration of architecture: pulpit or part of
map
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memorial painting
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reliquiary or part of
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tombstone or part of
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[T45231]
Albrecht Meyer (designer), Veit Rudolf Specklin (blockcutter),
Feverfew (Artemisia tenuifolia, Mettram)
.
In
Leonhard Fuchs, De historia stirpivm, Basel: Michael Isengrin (printer), 1542 (Basel, UB), p. 45
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printing: impression
page: figure
woodcut
paper
book decoration: illustration
