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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T11629

Descent from the Cross

(Smołdzino, parish church of the Holy Trinity). Part of Paintings on the ceiling of the church in Smołdzino (Smołdzino, parish church of the Holy Trinity) ⛁ ◼

Details
  • painting
  • wood
  • set or complex object: piece
  • decoration of architecture
Complex object
  • Paintings on the ceiling of the church in Smołdzino (Smołdzino, parish church of the Holy Trinity) ⛁ ◼
Places
  • Smołdzino, parish church of the Holy Trinity storage place
Design

Descent from the Cross (Smołdzino, parish church of the Holy Trinity). Part of Paintings on the ceiling of the church in Smołdzino (Smołdzino, parish church of the Holy Trinity)

In-Urus interactions
  • ⇤ Karel van Mander (designer), Jacques (II) de Gheyn (printmaker), Descent from the Cross Part of Karel van Mander's Passion ◼
Expert view
Iconography description
  • Descent from the Cross (Iconclass: 73D71)
Credits
Created on
  • 2021-10-13 13:39

Last update by
  • Adam Perzyński (2023-06-27 20:44)

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Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update March 4, 2026

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