logo-urus
Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T11571

Multi-Figural Crucifixion

(Susz, parish church of St Anthony of Padua). Part of Paintings on the parapets of the gallery of the church in Susz (Susz, parish church of St Anthony of Padua) ⛁

Details
  • painting
  • wood
  • set or complex object: piece
  • decoration of architecture: gallery
Complex object
  • Paintings on the parapets of the gallery of the church in Susz (Susz, parish church of St Anthony of Padua) ⛁
Places
  • Susz, parish church of St Anthony of Padua storage place
Design

Multi-Figural Crucifixion (Susz, parish church of St Anthony of Padua). Part of Paintings on the parapets of the gallery of the church in Susz (Susz, parish church of St Anthony of Padua)

In-Urus interactions
  • ⇤ Karel van Mander (designer), Zacharias Dolendo (printmaker), Multi-Figural Crucifixion Part of Karel van Mander's Passion ◼
Expert view
Iconography description
  • Crucified Christ with Mary, John, and Mary Magdalene (the three crosses) (Iconclass: 73DD643)
  • Crucified Christ with Mary, John, Stephaton and Longinus (the three crosses) (Iconclass: 73DD645)
  • Crucified Christ with other persons than John, Mary, Mary Magdalene or soldiers (Iconclass: 73D646)
  • Soldiers throwing dice for Christ's seamless garment (Iconclass: 73D622)
Credits
Created on
  • 2021-10-13 13:39

Edited by
  • Grażyna Jurkowlaniec

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 21:21)

Things
Nature
Words
Actors
Designs
Iconographies
Places
Timelines
Guidebook

2025 RSA's Digital Innovation Award

Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update August 20, 2026

Log in