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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T4835

Cardinalatus oblati recusatio

Part of Album from the Marolles collection (Paris, BnF) ⛁

Details
  • printing: impression
  • etching
  • paper
  • inserted piece
  • book decoration: illustration
Matrices
  • Tomasz Treter (printmaker), Cardinalatus oblati recusatio
Complex object
  • Album from the Marolles collection (Paris, BnF) ⛁, 78
Actors
  • Tomasz Treter (1 March 1547 - 11 February 1610) printmaker : 1582 - 1588
Design

Tomasz Treter (printmaker), Cardinalatus oblati recusatio Part of Theatrum virtutum Stanislai Hosii (prints) ◼

In-Urus interactions
  • ⇤ Tomasz Treter (draughtsman), 49. Cardinalatus oblati recusatio. In Tomasz Treter, Theatrum virtutum ac meritorum Domini Stanislai Hosii, Tomasz Treter (autographer), manuscript (Warsaw, BN), fol. 57v Part of Theatrum virtutum Stanislai Hosii (drawings) ◼
Expert view
Iconography description
  • Coat of arms of the House of Carafa with papal crest
  • Galero
  • Paul IV (Gian Pietro Carafa) (Iconclass: 61B2(PAUL IV))
  • Stanisław Hozjusz (Iconclass: 61B2(STANISŁAW HOZJUSZ))
Inscriptions, Markings and Mentions
Matrix inscriptions
  • CARDINALATVS+ OBLATI+ RECVSATIO+
  • 46+
Credits
Created on
  • 2021-10-13 13:37

Edited by
  • Grażyna Jurkowlaniec

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 21:46)

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Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update October 7, 2026

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