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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T4832

Confutatio Prolegomemon Brentii

Part of Album from the Marolles collection (Paris, BnF) ⛁

Details
  • printing: impression
  • etching
  • paper
  • inserted piece
  • book decoration: illustration
Matrices
  • Tomasz Treter (printmaker), Confutatio prolegomenon Brentii
Complex object
  • Album from the Marolles collection (Paris, BnF) ⛁, 77
Actors
  • Tomasz Treter (1 March 1547 - 11 February 1610) printmaker : 1582 - 1588
Design

Tomasz Treter (printmaker), Confutatio prolegomenon Brentii Part of Theatrum virtutum Stanislai Hosii (prints) ◼

In-Urus interactions
  • ⇤ Tomasz Treter (draughtsman), 44. Confutatio prolegomenon Brentii. In Tomasz Treter, Theatrum virtutum ac meritorum Domini Stanislai Hosii, Tomasz Treter (autographer), manuscript (Warsaw, BN), fol. 52v ◼
Expert view
Iconography description
  • Johannes Brenz (Iconclass: 61B2(JOHANNES BRENZ))
  • Reformation (Roman Catholic Church vs. Protestantism) (Iconclass: 11P1641)
  • Stanisław Hozjusz (Iconclass: 61B2(STANISŁAW HOZJUSZ))
Inscriptions, Markings and Mentions
Matrix inscriptions
  • CONFVTATIO+ PROLEGOMENON+ BRENTII+
  • 43+
Credits
Created on
  • 2021-10-13 13:37

Edited by
  • Grażyna Jurkowlaniec

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 21:47)

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Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update April 8, 2026

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