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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T4812

Conversatio in aula

Part of Album from the Marolles collection (Paris, BnF) ⛁

Details
  • printing: impression
  • etching
  • paper
  • inserted piece
  • book decoration: illustration
Matrices
  • Tomasz Treter (printmaker), Conversatio in aula
Complex object
  • Album from the Marolles collection (Paris, BnF) ⛁, 72
Actors
  • Tomasz Treter (1 March 1547 - 11 February 1610) printmaker : 1582 - 1588
Design

Tomasz Treter (printmaker), Conversatio in aula Part of Theatrum virtutum Stanislai Hosii (prints) ◼

In-Urus interactions
  • ⇤ Tomasz Treter (draughtsman), 17. Conversatio in aula. In Tomasz Treter, Theatrum virtutum ac meritorum Domini Stanislai Hosii, Tomasz Treter (autographer), manuscript (Warsaw, BN), fol. 24v Part of Theatrum virtutum Stanislai Hosii (drawings) ◼
Expert view
Iconography description
  • Innocentia
  • Lamb as allegory of Patientia
  • Stanisław Hozjusz (Iconclass: 61B2(STANISŁAW HOZJUSZ))
Inscriptions, Markings and Mentions
Matrix inscriptions
  • CONVERSATIO IN AVLA.
  • 17
  • INNOCENTIA
  • BONA EXISTIMATIO
  • Superbia
  • Ira
  • Inuidia
  • Gula
  • Luxuria
  • MARE AVLICVM
Credits
Created on
  • 2021-10-13 13:37

Edited by
  • Grażyna Jurkowlaniec

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 21:46)

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Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update October 7, 2026

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