logo-urus
Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T30755

Title-page Border with a Battle and Panoply (Book VIII)

In Alessandro Guagnini, Kronika Sarmacyey Europskiey ..., Marcin Paszkowski (translator), Cracow: Mikołaj Lob (printer), after 1 December 1611 (Krzeszów, Opactwo Mniszek Benedyktynek w Krzeszowie (Benedictine Nuns Abbey)), fol. A1r

fol. A1r (151 of 180 in-Urus figures)
p. 86
fol. A1v
Details
  • printing: impression
  • woodcut
  • paper
  • page: marginalia and borders
  • book decoration: front matter
Matrices
  • Border with a Battle and Panoply (Siebeneicher; Lob)
Actors
  • Mikołaj Lob (fl. 1606 - 1617) printer : after 1 December 1611
Places
  • Cracow production place : after 1 December 1611
Design

Border with a Battle and Panoply (Siebeneicher; Lob)

In-Urus interactions
  • ⇤ Border with a battle and panoply (Wietor; Szczerbic)
Expert view
Iconography description
  • Battle with the Tatars
  • Cavalry battle (Iconclass: 45H3(+22))
  • Coat of arms of Grand Master of the Teutonic Knights
  • Coat of arms of Royal Prussia or Chełmno land / Kulmer Land (Black Eagle)
  • Columns of Gediminas (Pillars of Gediminas)
  • Habsburg stripes (Iconclass: 46A122(HABSBURG)1)
  • Orzeł Biały [white eagle] coat of arms
  • Panoply (Iconclass: 45L3111)
  • Pogoń [chase] coat of arms
  • White Eagle with monogram of Sigismund I of Poland
Functional context

Title page (varia) (Title page or frontispiece)

Credits
Created by
  • Grażyna Jurkowlaniec (2022-10-31 18:23)

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 20:20)

Things
Nature
Words
Actors
Designs
Iconographies
Places
Timelines
Guidebook

2025 RSA's Digital Innovation Award

Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update February 5, 2026

Log in