logo-urus
Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T25162

Parable of the Rich Man and Lazarus

Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 19-32) (Basel, Kunstmuseum Basel) ⛁ ◼

Details
  • printing: impression
  • woodcut
  • paper
  • inserted piece
  • matrix h: 63 mm
  • matrix w: 50 mm
Previous states
  • Albrecht Dürer's workshop (printmaker), Parable of the Rich Man and Lazarus (Basel, Amerbach Kabinett)
Matrices
  • Albrecht Dürer's workshop (printmaker), Parable of the Rich Man and Lazarus (Guldenmund; Daubmann)
Complex object
  • Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 19-32) (Basel, Kunstmuseum Basel) ⛁ ◼
Actors
  • Albrecht Dürer's workshop printmaker, printmaker : ca 1510
Design

Albrecht Dürer's workshop (printmaker), Parable of the Rich Man and Lazarus (Guldenmund; Daubmann) Part of Set of gospel scenes H.22 (Höltzel?; Guldenmund; vom Berg & Neuber; Daubmann). Part of Set of square woodblocks (Guldenmund, Daubmann e.a.) Part of Set of square woodblocks (Guldenmund, Daubmann e.a.) ◼

In-Urus interactions
  • ⇥ Parable of the Rich Man and Lazarus (Gutknecht 1523) Part of Set of gospel scenes, with many copies of H.22 (Gutknecht) ◼
Expert view
Iconography description
  • Parable of the rich man and Lazarus (Iconclass: 73C852)
References
Matrices' graphic catalogue entries
  • Hollstein German: 22.28
Credits
Created by
  • Grażyna Jurkowlaniec (2022-07-28 09:37)

Edited by
  • Grażyna Jurkowlaniec

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 20:27)

Things
Nature
Words
Actors
Designs
Iconographies
Places
Timelines
Guidebook

2025 RSA's Digital Innovation Award

Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update August 20, 2026

Log in