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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T20657

Divinae vocationi datus assensus

In Tomasz Treter, Theatrum virtutum D. Stanislai Hosii, Tomasz Treter (autographer), manuscript (Frombork, Cathedral of the Assumption of the Blessed Virgin and St Andrew, Library), p. 65

p. 65 (33 of 100 in-Urus figures)
p. 63
p. 67
Details
  • printing: impression
  • etching
  • paper
  • inserted piece
  • book decoration: illustration
Matrices
  • Tomasz Treter (printmaker), Divinae vocationi datus assensus
Actors
  • Tomasz Treter (1 March 1547 - 11 February 1610) printmaker : 1582 - 1588
Design

Tomasz Treter (printmaker), Divinae vocationi datus assensus Part of Theatrum virtutum Stanislai Hosii (prints) ◼

In-Urus interactions
  • ⇤ Tomasz Treter (draughtsman), 32. Divinae vocationis acceptatio. In Tomasz Treter, Theatrum virtutum ac meritorum Domini Stanislai Hosii, Tomasz Treter (autographer), manuscript (Warsaw, BN), fol. 40v Part of Theatrum virtutum Stanislai Hosii (drawings) ◼
Expert view
Inscriptions, Markings and Mentions
Matrix inscriptions
  • DIVINAE VOCATIONI DATVS ASSENSVS
  • 32
Credits
Created by
  • Grażyna Jurkowlaniec (2022-04-11 17:17)

Edited by
  • Grażyna Jurkowlaniec

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 21:15)

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Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update August 20, 2026

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