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Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Things – T17508

Incredulity of Thomas

Part of Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 33-41) (Basel, Kunstmuseum Basel) ⛁ ◼

Details
  • printing: impression
  • woodcut
  • paper
  • inserted piece
  • matrix h: 63 mm
  • matrix w: 50 mm
Previous states
  • Albrecht Dürer's workshop (printmaker), Incredulity of Thomas (Basel, Amerbach Kabinett)
Matrices
  • Albrecht Dürer's workshop (printmaker), Incredulity of Thomas (Guldenmund; Daubmann)
Complex object
  • Amerbach-Kabinett (Amerbach-Inv. S. 167; Dodgson nos 33-41) (Basel, Kunstmuseum Basel) ⛁ ◼
Actors
  • Albrecht Dürer's workshop printmaker, printmaker : ca 1510
Design

Albrecht Dürer's workshop (printmaker), Incredulity of Thomas (Guldenmund; Daubmann) Part of Set of gospel scenes H.22 (Höltzel?; Guldenmund; vom Berg & Neuber; Daubmann). Part of Set of square woodblocks (Guldenmund, Daubmann e.a.) Part of Set of square woodblocks (Guldenmund, Daubmann e.a.) ◼

In-Urus interactions
  • ⇥ Incredulity of Thomas (Gutknecht 1523) Part of Set of gospel scenes, with many copies of H.22 (Gutknecht) ◼
Expert view
Iconography description
  • Incredulity of Thomas (Iconclass: 73E36)
References
Matrices' graphic catalogue entries
  • Hollstein German: 22.37
Credits
Created by
  • Grażyna Jurkowlaniec (2021-11-16 21:02)

Last update by
  • Grażyna Jurkowlaniec (2023-06-27 21:44)

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Urus : Techniques and Reception of Prints in Central and Eastern Europe (15th–18th c.)
Last update June 1, 2026

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