Words
(Texts, both printed and handwritten)
| ID | Thing | Inscription Text | Characteristics | Functions | Role Mentions |
|---|---|---|---|---|---|
| [4227] | Hieronymus Wierix (designer), Hieronymus Wierix (printmaker), Seven archangels | Hieronymus Wierx fecit et excudit. | italics | signature or reference to actor | printmaker, publisher |
| [4241] | Johannes Wierix (printmaker), St Antony Abbot | 1564 | arabic numeral | date | |
| [191] | Tomasz Treter (designer), Giovanni Battista de' Cavalieri (printmaker), Roma sancta | Lower margin: [" Habes hic, Christiane Lector, effigiem urbis Romanae: / non eius quidem, quae situ loci aedificiorumq(ue) magnificen/tia circunscribitur, sed illius tantum, quae de spirituali / virtutum profectu constructa, crescit in civitatem sanctam (Apoc 21) / descendentem de coelo, a Deo, Deiq(ue) claritatem habentem: / cuius maiestatem consideraturus, haec pauca, quae tibi / picturae sensum detegant, notare debebis. / 1 ROMA Idololatriae quondam domicilium, multo // martyrum, pro Christo in ea occisorum, sanguine empta, / in partem haereditatis Christi cessit. / 2 IDOLOLATRIA Superstitiosos simulachrorum cultus, sacrifi/ciaq(ue) abominanda Dei gr(ati)a illustrata, reiecit et conculcavit. / 3 CRVX Suave Iesu Christi iugum, e Petri Pauliq(ue) manib(us) ac/cipiens, fidem Crucis ad excelsu(m) honoris gradum evexit / 4 CALIX Sacrificium Christianum verum, ab omni Haere/tica labe purum illaesumq(ue) conservat ac retinet // 5 CLAVES Clavium sacerdotalium a Chr(ist)o traditam Petro / pot(es)tatem, legitime laxat et stringit, pro Christi Vicarii cui(us) / sedes est arbitrio. 6 MITRA Visibile militantis Eccl(esi)ae caput Pontifex est Roman(us); / inde fit ut non minus ad piscatoris Petri sepulchrum, quam / ad eius quoq(ue) successoris pedes cuiuscunq(ue) tandem Imperii / culmen submisso diademate supplicare, Christumq(ue) in eo / loquentem audire144, debeat ac teneatur // 7 IIII ECCL(esi)AE Pro data sibi p(otes)tate Gregorius XIII Pont(ifex) apertis / sanctis quatuor Basilicar(um) portis Anno Iubileo singulari quodam / privilegio poenitentib(us) et Ecclesias hic expressas visitantibus, peccatoru(m) / vincula relaxat / 8 CIRCVLVS vel FORVM Romanor(um) fidem olim Ap(osto)lico ore / laudatam eam esse quae per charitate(m) operatur Annus hic Iubileus vel / maxime comprobat. Elucet (enim) hic Cath(oli)ca FIDES in conservata se(m)per doctrinae puritate / 9 SPES in Orationu(m) supplicationumq(ue) assiduitate / 10 CHARITAS Dei in voluntaria corporis propter Deu(m) castigatione et in // 11 Ieiunioru(m) abstinentiaeque rigore / 12 CHARITAS proximi in eleemosinaru(m) largitione / 13 Moestor(um) consolatione 14 Humilitatis obsequio / 15 Ignorantiu(m) nstructione 16 Captivor(um) liberatione / 17 Infirmor(um) visitatione 18 Peregrinor(um) patrocinio 19 Egenorum benigna sustentatione et caet(era) 20 FLVMEN Plurima Christianae pietatis opera / cum Romae videre cuivis liceat, apparet, urbem / hanc singularibus Spiritus sancti donis illustrari / torrenteq(ue) supernae voluptatis ita potari, ut recte illud Prophetae illi possit / attribui Fluminis impetus et caet(era) / 21 BENEDICTIO itaq(ue) DEI quasi fluvius inundat, irrigat et urbem / hanc protegit, ut non minus propter Apostolicae Sedis dignitatem / sacrorumq(ue) locorum et corporum frequentiam quam propter ipsorum / etiam hominum in ea degentium pietatem ac sanctimoniam ROMA urbs / vere SANCTA dicatur omniumq(ue) vocibus passim merito celebretur / | commentary or explanation | ||
| [174] | Antonio Tempesta (designer), Giacomo Lauro (print publisher), Our Lady of Częstochowa between St John the Baptist and St Andrew (state I/II) (Lauro) | IMAGO Bmae MARIAE VIRGINIS CZESTOCHOVIENSIS ... CLARET | majuscule | caption or identification of motif, identification of model | represented thing |
| [176] | Giacomo Lauro (print publisher), Assumption of Mary surrounded by fourteen scenes of martyrdoms of the holy virgins | S. Margarita Virgo et Martyr... | caption or identification of motif | ||
| [175] | Dominicus Custos (printmaker), Portrait of Sigismund III of Poland | Augustae Vindelico(rum) | italics | address or reference to place | place of production |
| [1557] | Christ the Good Shepherd (Szarfenberger 1561) | Gra(tia) et ueritas p(er) Ie | su(m) Chr(ist)um facta est | minuscule | commentary or explanation, citation | |
| [1670] | Abraham Hogenberg (printmaker), Leopolis | LEOPOLIS | Russiae Australis Vrbs primaria | emporium mercium Orientalium | celeberrimum | majuscule, italics | title | represented place |
| [89] | Tomasz Treter (designer), Giovanni Battista de' Cavalieri (printmaker), Allegory of the sign of the cross | NON IVDI/CAVI ME / SCIRE ALI/QVID INTER / VOS NISI IE/SVM CHRIST/VM ET HVNC / CRICIFI/XVM / I COR II | majuscule | commentary or explanation, citation | |
| [4236] | Giovanni Battista de' Cavalieri (printmaker), Felix II (state II/II) (Basa/Zanetti) | 49 | arabic numeral | numbering | |
| [1711] | Dawid Tscherning (printmaker), St John Cantius adoring Mary and the Man of Sorrows, crowned with wreaths of lauels and roses, and surrounded by scenes from his life | Aes distribuit pauperibus, vestes et | calceamenta comparat. | italics | commentary or explanation | |
| [62] | Monogrammist I.C.B. (blockcutter), Title-page border with the Transfiguration scene (state I/II) (Wirzbięta) | 1556 | arabic numeral | date | |
| [84] | Michael Foute (printmaker), Saints Andrew Zorard and Benedict Szkalka surrounded by scenes from their lives | S. Benedictus trucilatus... | italics | caption or identification of motif | |
| [61] | Albrecht Dürer (printmaker), Joachim and St Anne Meeting at the Golden Gate (Höltzel) | 1509 | majuscule | signature or reference to actor | |
| [60] | Albrecht Dürer (printmaker), Resurrection | 1512 | arabic numeral | date | |
| [59] | Albrecht Dürer (printmaker), Resurrection (Höltzel) | 1510 | arabic numeral | date | |
| [58] | Wenzel von Olmütz (printmaker), Dormition | 1481 | arabic numeral | date | |
| [54] | Veit Stoß (printmaker), Mary and Child | F(eyt) S(toss) | majuscule, monogram | signature or reference to actor | |
| [56] | Carlo Crivelli (painter), Vision of Blessed Gabriel Ferretti (London, The National Gallery) ◼ | OPVS KAROLI CRIVELLI | VENETI | majuscule | signature or reference to actor | publisher |
| [3823] | Hans Brosamer (designer), Hans Brosamer (printmaker), Chart of the Diadochi (Gülfferich) | ASIAE | majuscule, interlaced | caption or identification of motif |