Words
(Texts, both printed and handwritten)
| ID | Thing | Inscription Text | Characteristics | Functions | Role Mentions |
|---|---|---|---|---|---|
| [350] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Multi-Figural Crucifixion. Part of Karel van Mander's Passion | 10 | arabic numeral | numbering | |
| [4100] | Tomasz Makowski (designer attr.), Tomasz Makowski (printmaker attr.), View of Kaunas | CHRONON OLIM . NVNC NIEMEN FLV | |||
| [311] | Karel van Mander (designer), Zacharias Dolendo (printmaker), Multi-Figural Crucifixion. Part of Karel van Mander's Passion | M(ander) in(venit) Z(acharias) Do(olendo) sc(ulpsit) D(e) Gheyn excu(dit) | italics, interlaced, mirrored letter | signature or reference to actor | designer, print publisher, printmaker |
| [4328] | Hans Baldung (printmaker), Wild Horses in a Forest. Part of Baldung's Wild horses in a forest | Io[hannes] BALDVNG | FECIT | 1534 | majuscule, arabic numeral | signature or reference to actor, date | |
| [284] | Giovanni Battista de' Cavalieri (printmaker), Stanisław Pachołowiecki (draughtsman), Descriptio Ducatus Polocensis. Part of Cavalieri's Polotsk campaign of Stephen of Poland | In arma victricia Sereniss[imi] Stephani Poloniae regis felicis Arcibus inclusus latuit cum milite Moschus: Ales eum Stephani principis hinc pepulit. Prosilit in campos: fugat hunc mucrone, cruorem Barbaricum doctus fundere, regis eques. Si tentabit aquas, uncum rex ecce tridentem Fert – Moschum ex omni sic mala parte premunt. Protere, maxime rex, Romani nominis hostem, Quodque facis, Christi spargere perge Fidem! Th o[mas] Tre[terus] Polonus | minuscule | dedication | dedicatee, dedicator |
| [4327] | Hans Baldung (printmaker), Group of Seven Horses (Modena, Galleria Estense). Part of Baldung's Wild horses in a forest ◼ | BALDVNG [N in mirror image] 1534 | majuscule, arabic numeral, mirrored letter | signature or reference to actor, date | |
| [241] | Workshop of Matthäus Merian the Elder (printmaker), Tab. XXXVI (Alces Elend, Cervus mirabilis, Oryx Cervi species aliis Alco). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Alce. Elend. | italics | caption or identification of motif | |
| [240] | Workshop of Matthäus Merian the Elder (printmaker), Tab. XXXV (Cervus, Hippelaphus mas Ross Hirsch, Cervus Burgundic(us). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Cervus. | italics | caption or identification of motif | |
| [2564] | Philips Galle (printmaker), Holy Trinity | Philippus Galluas fecit. | minuscule | signature or reference to actor | printmaker |
| [1453] | Crispin Scharffenberg (printmaker), Sigismund I of Poland (Szarfenberg; Siebeneicher) (Cracow, Muzeum Uniwersytetu Jagiellońskiego Collegium Maius). Part of Subset of rulers, soldiers and heroes (Szarfenberg; Wirzbięta; Siebeneicher; Giermański). Part of Set of illustrations for Bielski's Chronicle 1554 (Szarfenberg; Siebeneicher; Lob; Giermański) | C(rispin) S(charfenberg) | majuscule, monogram | signature or reference to actor | |
| [212] | Workshop of Matthäus Merian the Elder (printmaker), Tab. III (Equus, Equus Aethiopicus). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Equus. | italics | caption or identification of motif | |
| [211] | Workshop of Matthäus Merian the Elder (printmaker), Tab. VII (Elphas). Part of Set of illustrations to Jonston's Historia quadrupedum (Merian) | Elphas | italics | caption or identification of motif | |
| [210] | Giacomo Lauro (print publisher), Aquila SS. Patronorum regni Poloniae | Aquilla prouocans | ad uolandum pullos suos | italics | motto | |
| [204] | Typus Ecclesiae Catholicae | TYPVS ECCLESIAE CATHOLICAE ... CATECHISMI | majuscule | caption or identification of motif, title, commentary or explanation | |
| [203] | Diego Valadés (printmaker?), Typus Ecclesiae Catholicae | Unctio, Baptismus ... Johannes Calvinus | minuscule | caption or identification of motif | |
| [4227] | Hieronymus Wierix (designer), Hieronymus Wierix (printmaker), Seven archangels | Hieronymus Wierx fecit et excudit. | italics | signature or reference to actor | printmaker, publisher |
| [4241] | Johannes Wierix (printmaker), St Antony Abbot | 1564 | arabic numeral | date | |
| [191] | Tomasz Treter (designer), Giovanni Battista de' Cavalieri (printmaker), Roma sancta | Lower margin: [" Habes hic, Christiane Lector, effigiem urbis Romanae: / non eius quidem, quae situ loci aedificiorumq(ue) magnificen/tia circunscribitur, sed illius tantum, quae de spirituali / virtutum profectu constructa, crescit in civitatem sanctam (Apoc 21) / descendentem de coelo, a Deo, Deiq(ue) claritatem habentem: / cuius maiestatem consideraturus, haec pauca, quae tibi / picturae sensum detegant, notare debebis. / 1 ROMA Idololatriae quondam domicilium, multo // martyrum, pro Christo in ea occisorum, sanguine empta, / in partem haereditatis Christi cessit. / 2 IDOLOLATRIA Superstitiosos simulachrorum cultus, sacrifi/ciaq(ue) abominanda Dei gr(ati)a illustrata, reiecit et conculcavit. / 3 CRVX Suave Iesu Christi iugum, e Petri Pauliq(ue) manib(us) ac/cipiens, fidem Crucis ad excelsu(m) honoris gradum evexit / 4 CALIX Sacrificium Christianum verum, ab omni Haere/tica labe purum illaesumq(ue) conservat ac retinet // 5 CLAVES Clavium sacerdotalium a Chr(ist)o traditam Petro / pot(es)tatem, legitime laxat et stringit, pro Christi Vicarii cui(us) / sedes est arbitrio. 6 MITRA Visibile militantis Eccl(esi)ae caput Pontifex est Roman(us); / inde fit ut non minus ad piscatoris Petri sepulchrum, quam / ad eius quoq(ue) successoris pedes cuiuscunq(ue) tandem Imperii / culmen submisso diademate supplicare, Christumq(ue) in eo / loquentem audire144, debeat ac teneatur // 7 IIII ECCL(esi)AE Pro data sibi p(otes)tate Gregorius XIII Pont(ifex) apertis / sanctis quatuor Basilicar(um) portis Anno Iubileo singulari quodam / privilegio poenitentib(us) et Ecclesias hic expressas visitantibus, peccatoru(m) / vincula relaxat / 8 CIRCVLVS vel FORVM Romanor(um) fidem olim Ap(osto)lico ore / laudatam eam esse quae per charitate(m) operatur Annus hic Iubileus vel / maxime comprobat. Elucet (enim) hic Cath(oli)ca FIDES in conservata se(m)per doctrinae puritate / 9 SPES in Orationu(m) supplicationumq(ue) assiduitate / 10 CHARITAS Dei in voluntaria corporis propter Deu(m) castigatione et in // 11 Ieiunioru(m) abstinentiaeque rigore / 12 CHARITAS proximi in eleemosinaru(m) largitione / 13 Moestor(um) consolatione 14 Humilitatis obsequio / 15 Ignorantiu(m) nstructione 16 Captivor(um) liberatione / 17 Infirmor(um) visitatione 18 Peregrinor(um) patrocinio 19 Egenorum benigna sustentatione et caet(era) 20 FLVMEN Plurima Christianae pietatis opera / cum Romae videre cuivis liceat, apparet, urbem / hanc singularibus Spiritus sancti donis illustrari / torrenteq(ue) supernae voluptatis ita potari, ut recte illud Prophetae illi possit / attribui Fluminis impetus et caet(era) / 21 BENEDICTIO itaq(ue) DEI quasi fluvius inundat, irrigat et urbem / hanc protegit, ut non minus propter Apostolicae Sedis dignitatem / sacrorumq(ue) locorum et corporum frequentiam quam propter ipsorum / etiam hominum in ea degentium pietatem ac sanctimoniam ROMA urbs / vere SANCTA dicatur omniumq(ue) vocibus passim merito celebretur / | commentary or explanation | ||
| [174] | Antonio Tempesta (designer), Giacomo Lauro (print publisher), Our Lady of Częstochowa between St John the Baptist and St Andrew (state I/II) (Lauro) | IMAGO Bmae MARIAE VIRGINIS CZESTOCHOVIENSIS ... CLARET | majuscule | caption or identification of motif, identification of model | represented thing |
| [176] | Giacomo Lauro (print publisher), Assumption of Mary surrounded by fourteen scenes of martyrdoms of the holy virgins | S. Margarita Virgo et Martyr... | caption or identification of motif |